Author: Pauline Chardin, Fathom
Pauline Chardin, a.k.a. The Voyageur (one of our 24 Best Travel Blogs and Websites 2014) always captures the most incredible details with her camera. She photographed countless swoon-worthy pieces of centuries-old architecture on her last trip to Portugal. Here are some of her best shots from three of her favorite sites.
PALÁCIO NACIONAL DA PENA
PORTUGAL – You literally need to go up in the clouds to find the strangest castle, the eccentric Palácio Nacional da Pena in Sintra, Portugal. It's only an hour away from Lisbon's clear skies, pretty azulejos, and seaside flair. Now it's suddenly looking like the set of Peau d'Âne.
The royal palace was built by an amateur German architect in the middle of the Romantic period. The construction is said to be Neo-Gothic, Neo-Manueline, Neo-Islamic, and Neo-Renaissance. In reality, it's quite chaotic and unbalanced, fascinating at times, pretty kitsch at others. But it's the amazing location — in the heights of a misty lush forest — that makes it so special. The architectural details of the exterior are the best part, but you can also go inside and try to imagine what life used to be like in the castle.
You can walk from Sintra, and I would almost recommend it, even though it's quite a hike (one hour and thirty minutes going up). Otherwise, the bus from Sintra is an easy solution if it's too hot and/or you don't feel like mixing fairy tales with trekking.
SINTRA NATIONAL PALACE
Don't let the rather dull "royal palace" appellation fool you. The large white building crowned with two giant chimneys is filled with odd antiques, quirky opulent frescoes, and mysterious Orientalism. I guess that's what happens when you add up 600 years of royal residents.
The museum building is pleasant, vast, modern, and warm, with dark hard wood floors inside and a big garden outside. The mood in Lisbon's Museu Calouste-Gulbenkian is spectacular. Black curtains make the exotic foliage outside appear in silhouette. The collection itself is really worth going through, particularly the Eastern Islamic art. The display is so masterful that it even makes a museum of 18th-century furniture look interesting.
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This article was written by Pauline Chardin from Fathom and was legally licensed through the NewsCred publisher network.